Tagged Image File Format (TIFF)

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Recovering the Material and Visual Cultures of the Southern Sudan: A Museological Resource

Posted by arts-humanities.net on March 29, 2015

The cultures of Southern Sudan have been central to anthropological research and teaching since the publication of Evans-Pritchard’s classic works on the Zande and Nuer in the 1930s and 1940s. A number of collections from Evans-Pritchard and other figures in the history of the study of the cultures of the Southern Sudan are represented in the collections of the University of Oxford’s Pitt Rivers Museum.

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Classical Archaeology and Art on the Web: the Beazley Archive

Posted by arts-humanities.net on March 29, 2015

The original project, a database of Athenian figure-decorated pottery 626-300BC, began in 1979. It was the second in the University of Oxford to be available 'on line' (after Cairns Science Library). From 1992 that database, and others begun from the early 1990s, began to be prepared for migration to the web. The project funded by the AHRB 2003/6 represented the first stage of an integrated multiple database system available on the web; more than 20 databases were programmed into XDB during 2004. Also during 2002/4 the digitisation of Corpus Vasorum Antiquorum for the web was undertaken.

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The St Alban's Psalter: on the Web

Posted by arts-humanities.net on March 29, 2015

To digitise the St Albans Psalter and place it on the web. The images are accompanied by complete transcription, translation (Latin into both English and German). Each image has a page-by-page commentary, and the manuscript is amplified by about 40,000 words of accompanying essays.
Aims: to make the psalter available in colour.
Research questions: to understand how the manuscript was made, when, for whom, and why the range of images were chosen.

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Encoding an On-Line Electronic Scholarly Edition and Implementing an XML Prototype

Posted by arts-humanities.net on March 29, 2015

The project aimed to program an on-line scholarly edition and implement an XML prototype meeting MLA’s guidelines for the electronic scholarly edition, and presenting full-text versions of all renditions to show evolution of a text to final states and devolution to original states. The first stage was to prepare a scholarly edition of William Wells Brown’s novel Clotel which provides the full text of all extant versions (those of 1853, 1860, 1864, and 1867) with explanatory annotation, textual-variant notes, and a scholarly apparatus.

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Latin American Art: an on-line research resource

Posted by arts-humanities.net on March 29, 2015

The aim has been to make the University of Essex Collection of Latin American Art (UECLAA) available as a fully illustrated online catalogue. We began by developing a database that would facilitate management of the collection, integrating the full illustrated catalogue with mailing lists, contact and biographical details for artists, details of copyright agreements and other reports forms (records of donation etc), and information about the current location of a work of art etc.

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The Newton Manuscript Project

Posted by arts-humanities.net on March 29, 2015

The Newton Manuscript Project began in January 2000 with a view to preparing 20 print volumes of Newton's non-scientific papers. Although we had stated in the initial application that that we would make the text of the proposed print edition available online, we quickly realised that the online environment now offered extraordinary and unrivalled possibilities for disseminating high quality scholarly output to a variety of audiences. Accordingly, we switched our primary focus to producing an electronic edition of Newton’s non-scientific papers.

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The Digital Image Archive of Medieval Music (DIAMM)

Posted by arts-humanities.net on March 29, 2015

The purpose of the Digital Image Archive of Medieval Music (DIAMM) is to obtain and archive directly-captured digital images of European sources of medieval polyphonic music. Where there is damage that makes these sources difficult to read, levels of digital restoration are also undertaken on copies of the original images to improve legibility and scholarly access. The project has created a new permanent electronic archive of these images, both to facilitate detailed study of this music and its sources, and to assure their permanent preservation.

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Chopin's First Editions Online

Posted by arts-humanities.net on March 29, 2015

The project has four key aims:

1. To create an online resource uniting the original impressions of Chopin's first editions in an unprecedented virtual collection

2. To develop complex textual interlinking of this virtual collection and relevant excerpts of the Annotated Catalogue of Chopin's First Editions (co-authored by Christophe Grabowski and John Rink, to be published by Cambridge University Press in 2005)

3. To provide comparative text-analytical commentary on the multiple first editions in this archive

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The Corpus of Romanesque Sculpture in Britain and Ireland

Posted by arts-humanities.net on March 29, 2015

The Corpus of Romanesque Sculpture in Britain and Ireland (CRSBI) is an evolving electronic archive of British and Irish Romanesque stone sculpture.

ROMANESQUE SCULPTURE

Romanesque sculpture marks a high point of artistic production in Britain and Ireland, corresponding to the boom in high-quality building that followed the Norman Conquest in 1066, and reflecting a new set of links with mainland Europe. A good deal of this sculpture remains in parish churches and cathedrals, houses and halls, castles and museums throughout these isles.

PRESERVATION

Academic field

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