The outcome of the project is a compilation of sources for provenance research of Chinese works of art, for use by institutions and researchers. Using The Burrell Collection in Glasgow as a pilot, the project documents records relating to dealers and collectors who specialised in Chinese art during the first half of the twentieth century.
Community Arts (including Art and Health)
Between 1953, and 1999 when it closed its film department, Arts Council England commissioned or participated in the production of 485 films, which recorded all aspects of - mainly contemporary British - art. The subject matter, length and format of the films are as varied as they are eclectic. Moreover, because of the Council’s liberal attitude to sponsorship, and the creative freedom their commissions offered, they also attracted some of the best film-makers in the UK. Indeed, some of them provide a unique record of a partnership between the Arts Council, artists and film-makers.
The aim has been to make the University of Essex Collection of Latin American Art (UECLAA) available as a fully illustrated online catalogue. We began by developing a database that would facilitate management of the collection, integrating the full illustrated catalogue with mailing lists, contact and biographical details for artists, details of copyright agreements and other reports forms (records of donation etc), and information about the current location of a work of art etc.
To digitise the St Albans Psalter and place it on the web. The images are accompanied by complete transcription, translation (Latin into both English and German). Each image has a page-by-page commentary, and the manuscript is amplified by about 40,000 words of accompanying essays.
Aims: to make the psalter available in colour.
Research questions: to understand how the manuscript was made, when, for whom, and why the range of images were chosen.
To catalogue and index the collection of British Trade journals and related ephemera which make up the EMap archive. Publishing the index of the articles and making them available through the Voyager database means that researchers anywhere within the world, with access to the internet, can discover what volumes and information are available within the archive and make an appointment to use them there or seek out the relevant volumes in other collections.
This two-year project presented via the Web, a fully searchable and browsable catalogue linked to digitized images of John Ruskin's 'Teaching Collections' held in the Ashmolean Museum at the University of Oxford. The interface presents users with a means of linking Ruskin's original catalogues of his collection with modern catalogue information, presenting the entire Oxford-based collection as a single resource: as some of the original collections have now been dispersed under individual artist categories, the project virtually reassembled them in Ruskin's original sequences.
The ICTGuides project is now incorporated within this project (arts-humanities.net).
Two developments gave birth to the ICTGuides database: an increase in the use of ICT in arts and humanities research and an awareness that information on how ICT is used in arts-humanities research is not readily available online. The resulting disparity was largely seen to have detrimental effects on ICT-based scholarship as sharing computational expertise among scholars is a precursor to promoting innovation within the field.
This is a digital database of at least nearly 900 wood engravings from periodicals and books published in the 'golden age' of illustration: the mid-nineteenth century. Taking 1862 as a sample year, the database draws on two major collections: the periodical illustrations of the 1860s and 70s in the School of Art Museum and Gallery, University of Wales, Aberystwyth, and the Forrest Reid collection in the Ashmolean Museum, Oxford. These important collections are currently under-exploited and accessible only to scholars in Britain.
Comprising 185+ artefacts obtained on James Cook’s second voyage of discovery from 1772 to 1775, the Forster Collection is one of the great collections of Pacific ethnography. Between 1995 and 2001, I gathered together in a database all the information held within the Museum about each object in the collection. This work culminated in the launch of a website devoted to the collection at . The present project was concerned with understanding the ways in which the Forster Collection is important today, especially for members of ‘source’ communities.
The Institute for Image Data Research and the Conservation Unit, School of Humanities, within the University of Northumbria at Newcastle, were awarded funds by the Arts and Humanities Research Board to undertake this project, which ran from 1st October 2000 to 31st March 2002.
AIMS AND OBJECTIVES
The overall aim of the project was to research a variety of techniques designed to improve the accessibility of historical watermark images in paper to researchers and scholars.
Our specific objectives were: