Visual Arts

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Adolphe Appia at Hellerau: Virtual Reconstructions and performances

Posted by arts-humanities.net on March 29, 2015

Using both photographs of historic settings and original designs, virtual reality models were created of Appia's "rhythmic spaces", and their lighting and other properties. Mixed reality performance technology was used to integrate both video footage and live action into these virtual settings. In addition, a highly detailed VR model of the Hellerau Festspielhaus, where some of Appia's designs were realised for innovative performance, was created. Then, using historic photographs, sets recorded in archive photos were placed into the great hall at Hellerau, and lit under various conditions.

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The Pompey Project: the evolution, structure and legacy of the Theatre of Pompey

Posted by arts-humanities.net on March 29, 2015

The first scientific study of Rome’s first permanent theatre. Comprehensive documentation of all surviving remains, supplemented by new limited excavation at specific points targeted by our initial analysis. Creation of a definitive series of site-plans, sections, elevations keyed to a complete photographic record, and measured drawings. We have prepared an extensive archaeological register recording the details of every known artefact discovered on the site of the theatre complex for the past five centuries.

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The British Cinema History Research Project

Posted by arts-humanities.net on March 29, 2015

In 2001 the Film and TV Studies Department at the University of East Anglia was awarded a substantial grant under the AHRB’s Resource Enhancement Scheme. There are two main strands of the project, each of which is designed to encourage wider use of a major resource in the study of British film history through the creation of online materials.

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The digital and computer-based arts in the United Kingdom from their origins to 1980

Posted by arts-humanities.net on March 29, 2015

CACHe is a major research project into the origins and history of British computer arts.

We are based at the School of History of Art, Film and Visual Media at Birkbeck, University of London and funded by the Arts and Humanities Research Board. The substantial government funding for our project indicates the level of interest in creating an historical framework for this period. CACHe began its work in 2002.

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Digital catalogue of illuminated manuscripts in the Western Collections of the British Library (DigCIM)

Posted by arts-humanities.net on March 29, 2015

The Project provides catalogue descriptions and images of illuminated manuscripts in the British Library's collection on a collection-by-collection basis. Thus far, entries for illuminated manuscripts in all of the Library's collections are available online and can be found via the Catalogue of Illuminated Manuscripts website at:

www.bl.uk/catalogues/illuminatedmanuscripts

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Virtual Reconstruction of Palladio’s Teatro Olimpico

Posted by arts-humanities.net on March 29, 2015

The Teatro Olimpico at Vicenza, Italy - still existent and well preserved - was built in 1580-85 for the local Accademia Olimpica (founded in 1556) on a plot provided by the city council. It was the first permanent theatre to be built in Europe since antiquity. The stage, which resembles a façade of a Renaissance palace, and the semi-oval sitting area were designed by the architect and founding member of the Accademia, Andrea Palladio (1508-80). He died soon after the work began; his son, Silla took over.

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Virtual Recreation of Palladio’s Villa Rotonda

Posted by arts-humanities.net on March 29, 2015

The Villa Rotonda, also known as Villa Capra or Villa Almerico-Valmarana, is one of the best known works by the Renaissance architect Andrea Palladio (1508-80). It was built just outside Vicenza, Italy, in the countryside, as a retirement residence for the clergyman at the Vatican, Paolo Almerico. The work began in c. 1565/6. Although the villa was inhabited by 1569 it was still unfinished by the time of Almerico’s death in 1589. The next owners, the brothers Odorico and Marco Capra commissioned a student of Palladio, the architect Vincenzo Scamozzi (1552-1616) to complete the villa.

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3D Reconstruction of the Unbuilt Project Pont destiné à réunir la France à l’Italie (1829) by Henri Labrouste

Posted by arts-humanities.net on March 29, 2015

Henri Labrouste (1801-75) is best known as the architect of two important public buildings in Paris, both libraries. The Bibliothèque Sainte-Geneviève, completed in 1851, demonstrated Labrouste's unconventional use of classical elements, much disputed at the time, and his structural innovation of introducing an exposed iron frame. The Bibliothèque Nationale, completed in the year of his death, is renowned for its eclectic reading room reminiscent of a Seljuk mosque: a light, top-lit round space with slender cast-iron columns, which support a multitude of small domes.

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A critical and bibliographical study of stars in modern French film

Posted by arts-humanities.net on March 29, 2015

An invaluable research resource in an exciting new area of French cultural studies the site comprises profiles of nearly 200 Francophone film stars, film descriptions and a database of references of press, radio and television coverage of Francophone film celebrities between 1949 and the present day. Publications selected for the database give a broad social and cultural perspective on film stars and the star concept. General mass-market titles like Paris-Match and Voici are complemented by titles conceived along the lines of gender, sexuality and age.

Academic field

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