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The Old Bailey Online, 1674-1834

Posted by arts-humanities.net on March 29, 2015

The Old Bailey Proceedings form one of the largest bodies of published text ever created, detailing the lives and experiences of non-elite people. Containing 25 million words of text, they record the evidence given at and outcome of 100,000 trials held at the Old Bailey. This project has created a searchable text-base, that can be used for free text searching, structured searching of marked-up text, and statistical analysis. This resource has been made available online and free of charge to any one with an internet connection.

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Recovering the Material and Visual Cultures of the Southern Sudan: A Museological Resource

Posted by arts-humanities.net on March 29, 2015

The cultures of Southern Sudan have been central to anthropological research and teaching since the publication of Evans-Pritchard’s classic works on the Zande and Nuer in the 1930s and 1940s. A number of collections from Evans-Pritchard and other figures in the history of the study of the cultures of the Southern Sudan are represented in the collections of the University of Oxford’s Pitt Rivers Museum.

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The Newton Manuscript Project

Posted by arts-humanities.net on March 29, 2015

The Newton Manuscript Project began in January 2000 with a view to preparing 20 print volumes of Newton's non-scientific papers. Although we had stated in the initial application that that we would make the text of the proposed print edition available online, we quickly realised that the online environment now offered extraordinary and unrivalled possibilities for disseminating high quality scholarly output to a variety of audiences. Accordingly, we switched our primary focus to producing an electronic edition of Newton’s non-scientific papers.

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The Digital Image Archive of Medieval Music (DIAMM)

Posted by arts-humanities.net on March 29, 2015

The purpose of the Digital Image Archive of Medieval Music (DIAMM) is to obtain and archive directly-captured digital images of European sources of medieval polyphonic music. Where there is damage that makes these sources difficult to read, levels of digital restoration are also undertaken on copies of the original images to improve legibility and scholarly access. The project has created a new permanent electronic archive of these images, both to facilitate detailed study of this music and its sources, and to assure their permanent preservation.

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The St Alban's Psalter: on the Web

Posted by arts-humanities.net on March 29, 2015

To digitise the St Albans Psalter and place it on the web. The images are accompanied by complete transcription, translation (Latin into both English and German). Each image has a page-by-page commentary, and the manuscript is amplified by about 40,000 words of accompanying essays.
Aims: to make the psalter available in colour.
Research questions: to understand how the manuscript was made, when, for whom, and why the range of images were chosen.

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Papers of Isambard Kingdom Brunel (1806 - 1859)

Posted by arts-humanities.net on March 29, 2015

The University of Bristol, UK, holds over 33,000 pages in the Brunel Collection. This collection contains the personal papers of the Victorian engineer Isambard Kingdom Brunel, a key figure in the Industrial Revolution. However, despite its importance as a scholarly resource, no electronic catalogue of the collection exists and physical access is limited. In 2003 the University was awarded an AHRB resource enhancement grant to carry out a pilot digitization project to bring this resource to a wider audience via the Internet.

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Chopin's First Editions Online

Posted by arts-humanities.net on March 29, 2015

The project has four key aims:

1. To create an online resource uniting the original impressions of Chopin's first editions in an unprecedented virtual collection

2. To develop complex textual interlinking of this virtual collection and relevant excerpts of the Annotated Catalogue of Chopin's First Editions (co-authored by Christophe Grabowski and John Rink, to be published by Cambridge University Press in 2005)

3. To provide comparative text-analytical commentary on the multiple first editions in this archive

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The Corpus of Romanesque Sculpture in Britain and Ireland

Posted by arts-humanities.net on March 29, 2015

The Corpus of Romanesque Sculpture in Britain and Ireland (CRSBI) is an evolving electronic archive of British and Irish Romanesque stone sculpture.

ROMANESQUE SCULPTURE

Romanesque sculpture marks a high point of artistic production in Britain and Ireland, corresponding to the boom in high-quality building that followed the Norman Conquest in 1066, and reflecting a new set of links with mainland Europe. A good deal of this sculpture remains in parish churches and cathedrals, houses and halls, castles and museums throughout these isles.

PRESERVATION

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