University of Warwick
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British Academic Spoken English (BASE) corpus
The project enhances the British Academic Spoken English (BASE) corpus, which functions as a companion to the Michigan Corpus of Spoken Academic English (MICASE), a record of North American academic speech.

The Pompey Project: the evolution, structure and legacy of the Theatre of Pompey
The first scientific study of Rome’s first permanent theatre. Comprehensive documentation of all surviving remains, supplemented by new limited excavation at specific points targeted by our initial analysis. Creation of a definitive series of site-plans, sections, elevations keyed to a complete photographic record, and measured drawings. We have prepared an extensive archaeological register recording the details of every known artefact discovered on the site of the theatre complex for the past five centuries.

Adolphe Appia at Hellerau: Virtual Reconstructions and performances
Using both photographs of historic settings and original designs, virtual reality models were created of Appia's "rhythmic spaces", and their lighting and other properties. Mixed reality performance technology was used to integrate both video footage and live action into these virtual settings. In addition, a highly detailed VR model of the Hellerau Festspielhaus, where some of Appia's designs were realised for innovative performance, was created. Then, using historic photographs, sets recorded in archive photos were placed into the great hall at Hellerau, and lit under various conditions.

The Perdita Project: Early modern women's manuscript compilations
The Perdita Project
* is a collaborative project funded until 2005 by the AHRB in conjunction with Nottingham Trent University and Warwick University.
* has produced an online guide to over 500 manuscript compilations in collections around the world.
* is a research tool for historians and literary scholars.

Cataloguing the archives of the Trades Union Congress, 1970-90
The aim of cataloguing the records of the Trades Union Congress is to make their materials more widely and easily accessible to researchers. The TUC dealt with a whole range of union related matters such as wages, disputes, health and safety in the workplace and union representation. They were also involved in social and political issues such as racism and sexual discrimination. Their labour connections stretched accross the world from New Zealand to Nicaragua and Finland to the Falklands.

The Material Renaissance:Costs and Consumption in Italy 1300-1650
"The project explored:
• The comparative prices of different types of goods in Italy over both time and place
• The market for domestic goods such as food and clothing
• The market for objects now considered 'art', particularly panel paintings, metalwork and antiquities

Digitisation of Renaissance Festival Books in the Collections of the British Library
"Festival books are a rich resource for the history of modern Europe, of interest to social, political and cultural historians and to historians of the book. The aim of this project, and others related to it, is to provide greater access to these books.

The Correspondence of Bernardin de Saint-Pierre (1737-1814)
Bernardin de Saint-Pierre (1737–1814) was a major figure of the late Enlightenment in France, author of the best-selling novel Paul et Virginie (1788) which was first published as part of a much longer philosophical text, the Études de la Nature (1784).

An economy in chaos? Analysis of Roman silver coins, Nero to Septimius Severus
Silver coins formed the backbone of currency in the Roman Empire and are likely to have been the main media for long-distance monetary exchange. Imperial fiscal policies and financial problems can be detected through metallurgical analysis of imperial silver coinages. Roman emperors manipulated the silver content (fineness) of the coinage to solve short-term financial problems frequently caused by government overspending. For the most part, this manipulation involved the reduction of the silver content of the coinage – debasement - in conjunction with a drop in weight.

Post-socialist punk: Beyond the double irony of self-abasement (Resubmission)
Post-socialist punk’ is a historically and spatially comparative study of punk in Eastern Europe conducted by an international, collaborative team of researchers from the UK, Russia, Estonia and Croatia. A key output of the project is Rotten Beat - an electronic resource presenting high quality analysis and information about contemporary music scenes in Central, South Eastern and Eastern Europe as well as searchable archives of audio, textual and visual materials. This resource is due to go live in Spring 2010.