Medieval

section icon

The Pinnacle of the Medieval Welsh Bardic Tradition? The Poetry of Guto'r Glyn.

Posted by arts-humanities.net on March 29, 2015

From the fifteenth century to the present day, Guto'r Glyn (c.1435/c.1493) has been acknowledged as the greatest exponent of the Welsh praise-poetry tradition, a cultural succession which stretches back to the sixth century. We aim to reconstruct, as far as is possible, the original text of the poems of Guto'r Glyn based on the manuscripts now available: 6,500 lines of verse, in c.160 poems, preserved in c.2300 manuscript copies.

Academic field
section icon

The Edinburgh Historical Linguistic Atlases & Text Corpora: Early Middle English and Older Scots (1)

Posted by arts-humanities.net on March 29, 2015

The principal aims of the project are to produce two historical linguistic atlases: A Linguistic Atlas of Early Middle English, 1150-1300 (LAME) and A Linguistic Atlas of Older Scots phase I 1380-1500 (LAOS). These atlases follow 'A Linguistic Atlas of Late Mediaeval English' (LALME, McIntosh, Samuels and Benskin 1986). In the periods covered by these atlases, neither English nor Scots were written in a standard form. Written forms are characterized by variation – different spellings of ‘the same’ word or morpheme. Variants often show geographical patterning.

Academic field
section icon

A Supplement to the Electronic Dictionary of the Irish Language

Posted by arts-humanities.net on March 29, 2015

This electronic Dictionary of the Irish Language (eDIL) is a digital edition of the complete contents of the Royal Irish Academy’s Dictionary of the Irish Language based mainly on Old and Middle Irish materials. The eDIL team is now beginning the task of revising the content of the Dictionary itself. In order to permit meaningful searches of the Dictionary, the digital text has been marked up in Extensible Mark-up Language (XML) following the guidelines of the Text Encoding Initiative (TEI) for Print Dictionaries.

Academic field
section icon

The Gascon Rolls Project

Posted by arts-humanities.net on March 29, 2015

The Gascon Rolls, held in the U.K. National Archives (C 61) are important to the study of the twelfth century acquisition of the great duchy of Aquitaine by the Plantagenet kings of England. This project will make the unpublished Gascon Rolls available in electronic form for both the research project itself, and for the international research community. The final version of the edition of the Gascon Rolls will be available in a mixture of text and translation, and calendar (summary translation) online.

Academic field
section icon

Regnum Francorum Online

Posted by arts-humanities.net on March 29, 2015

Regnum Francorum Online: interactive maps and sources of early medieval Europe, is a geospatial database with the aim of referencing historical events of Late Antiquity and Early Medieval (western) Europe to evidence in source-documents, compiling meta-data about the events, such as time, space and agency, and visualizing the events on interactive maps. This far, meta-data about more than 14.000 events are maintained in the database and avilable for further temporal and spatial analysis.

section icon

The Listening Gallery: Integrating Music with Exhibitions and Gallery Displays, Medieval to Baroque

Posted by arts-humanities.net on March 29, 2015

The Listening Gallery was a knowledge transfer collaboration between the Royal College of Music (RCM) and the Victoria and Albert Museum (V&A). Stemming from research in music, art, design, and technology, the project connected objects in the V&A's collections with music that shares their rich and distinctive pasts. New and existing recordings of music were integrated into two V&A projects: (I) Baroque 1620-1800: Style in the Age of Magnificence

Academic field
section icon

Weaving communities of practice. Textiles, culture and identity in the Andes: a semiotic and ontological approach.

Posted by arts-humanities.net on March 29, 2015

Research in Bolivia, Peru and Chile,
combined with museum research there and in the UK, focuses on Bolivia,
Peru, and Chile on the basis of previous ethnographic, archaeological
and museological knowledge and contacts, and three time horizons:
Tiwanaku, the Inka-early colony, and the contemporary. The primary aims
of this project are: to link visual, computer and museum studies in
areas of cognition, and curatorial methods; to advance textile studies
in areas of structure mapping and correlations with socio-cultural data;

section icon

Magnetic moments in the past: Developing archaeomagnetic dating for application in UK archaeology

Posted by arts-humanities.net on March 29, 2015

This project follows on from a previous collaboration which established a methodology for using measurements of the past magnetic field of the Earth for dating archaeological materials in the last 4000 years in the UK. The primary aim of this project is to realise the potential of this research by developing its practical application in UK archaeology. There is increasing interest in using archaeomagnetic dating as part of the suite of chronological tools available to archaeologists. However, it has yet to be adopted routinely.

Academic field
section icon

The Indian Temple: Production, Place and Patronage

Posted by arts-humanities.net on March 29, 2015

Temples dominated the landscape of India between the seventh and thirteenth centuries. Protected by kings and widely supported by endowments and other gifts, temples enjoyed ascendancy as centres of religious life, socio-economic power and artistic production. Although much research has been carried out on temple architecture since the late nineteenth century, important questions remain about how temples were patronised and constructed and the place they occupied in a medieval Indian polity.

Pages