Music

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ICTGuides

Posted by arts-humanities.net on March 29, 2015

The ICTGuides project is now incorporated within this project (arts-humanities.net).

Two developments gave birth to the ICTGuides database: an increase in the use of ICT in arts and humanities research and an awareness that information on how ICT is used in arts-humanities research is not readily available online. The resulting disparity was largely seen to have detrimental effects on ICT-based scholarship as sharing computational expertise among scholars is a precursor to promoting innovation within the field.

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French Piano Repertoire 1870-1920: Faure, Debussy, Ravel and Chabrier

Posted by arts-humanities.net on March 29, 2015

It's best defined by the key publications involved:
Critical editions of Fauré piano works (Peters Edition, London, ongoing): the first reliable and well-commented musical text for pianists of these important works

Œuvres complètes de Claude Debussy (Editions Durand, Paris, ongoing): completion of the piano works in this series (various editors including myself), and now the production of revised budget paperback offprints from these library volumes

Academic field
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Pacific Pathways: Multiplying Contexts for the Forster ('Cook-Voyage') Collection at the Pitt Rivers Museum

Posted by arts-humanities.net on March 29, 2015

Comprising 185+ artefacts obtained on James Cook’s second voyage of discovery from 1772 to 1775, the Forster Collection is one of the great collections of Pacific ethnography. Between 1995 and 2001, I gathered together in a database all the information held within the Museum about each object in the collection. This work culminated in the launch of a website devoted to the collection at . The present project was concerned with understanding the ways in which the Forster Collection is important today, especially for members of ‘source’ communities.

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Activated Space: the transformation of internal spaces to become audible and interactive

Posted by David Cunningham on March 29, 2015

Activated Space is a proposal to develop and present a series of installations that alter an architectural space to allow its resonant frequencies to become audible and interactive. The proposal combines elements from sculpture, electronic media, music, architecture and acoustics.

research questions:

Primary:
How can active listening be encouraged?
How does our awareness of acoustic surroundings influence our perceptions?
What happens if you magnify the sound of a room?

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Electronic corpus of Lute music (ECOLM) II

Posted by arts-humanities.net on March 29, 2015

ECOLM is a web-accessible user-friendly digital scholarly resource centred around the musicology of the lute. By means of a guided interface, it supplies professional and amateur users with effective and efficient search methods (using words or music as queries) over a database comprising over 2000 pieces of lute music, which can be retrieved, viewed in tablature and (given a suitable computer) played back, without the need to understand specialist computer code.

Academic field
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An International Database of Shakespeare on Film, Television and Radio

Posted by arts-humanities.net on March 29, 2015

"The project aims to deliver an authoritative online database of Shakespeare-related content in film, television, radio and video recordings, international in scope and dating from 1899 to the present day. It will offer current and continuously updated distribution information. It will identify the location of copies in archive collections. New research will be undertaken into audio-visual Shakespeare as a cultural and commercial phenomenon, using statistical analyses and historical trends to trace how the genre has positioned itself within the film and broadcast markets.

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Access to Russian Music: Catalogue of published works: Serge Prokofiev Archive, Centre for Russian Music

Posted by arts-humanities.net on March 29, 2015

"The Serge Prokofiev Archive is the only archive in the world wholly dedicated to this composer. Established at Goldsmiths College in 1994, the Archive owes its existence to the initiative of Mme Lina Prokofiev, the composer's first wife, who set up the Serge Prokofiev Foundation (Charitable trust No. 326370), with the objective of furthering the knowledge and study of Prokofiev's life and work.

Academic field
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The British Contribution to Series A/ii of Repertoire International des Sources Musicales (RISM)

Posted by arts-humanities.net on March 29, 2015

This catalogue enables you to search for music manuscripts from the 17th and 18th centuries preserved in national, public, and academic libraries in the U.K., in county and city archives, and in cathedral and chapel libraries. It also includes details of music manuscripts held in some Dublin libraries.

Its eventual aim is to provide a single access point for music manuscripts of the 17th and 18th centuries in the UK and Ireland.

Academic field
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The transformation of London concert life 1880-1914

Posted by arts-humanities.net on March 29, 2015

"In the 35 years before the First World War, the concert industry in Europe and America underwent profound change, from a culture of near dearth to one of modern profusion. The patterns that emerged were to affect composers, performers, concert-goers and the packaging of musical events, within a truly international context, for most of the twentieth century. London was at the heart of this change, whose first evidence was a meteoric rise in the public demand for music entertainment but whose ultimate outcome, oversupply, led to a glut in concert provision.

Academic field
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Female Musicians and Performance Practice at the Courts of Parma and Ferrara, 1565-1589

Posted by arts-humanities.net on March 29, 2015

"This website comprises the public pages of 'Female musicians at the courts of Ferrara and Parma, 1565-1589', an AHRB-funded collaboration between the ensemble Musica Secreta and musicologist Laurie Stras. The collaboration was formed in order to investigate performing practices at the Farnese and d'Este courts in the latter half of the sixteenth century. The project is generating transcriptions, performing scores and recordings of music associated with the two courts, made available to the wider musical community via this site.

Academic field

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