Music

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Citation and Allusion in the Ars nova French Chanson and Motet: Memory, Tradition, and Innovation

Posted by Gary Stringer on March 29, 2015

This project undertakes the first detailed study of citation and allusion in the period c1340-1420 as expressed in the two genres at the cutting edge of musical style at the time, the motet and the chanson. Medieval composers had always demonstrated a readiness to exploit existing material in their creation of new works, nowhere more conspicuously than in the 13th-century motet.

Academic field
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Developing a web-based thematic catalogue: the music of Benjamin Britten

Posted by arts-humanities.net on March 29, 2015

The online Britten Thematic Catalogue aims to document all manuscript sources pertaining to Britten's works as well as providing audio and notation incipits, full bibliographic details, other related material such as performance history, photographs, and, eventually, links to relevant correspondence. It will also for the first time provide a complete chronological listing of Britten’s works, including all of his juvenilia.

Academic field
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The Italian Academies 1530-1650: a themed collection database

Posted by arts-humanities.net on March 29, 2015

The project promotes and facilitates research on the Italian learned Academies of the late Renaissance and early modern periods and their relationship to book production, printing and publishing in this period. The precise aim is to compile a comprehensive database of information relating to the membership and activities of Academies in Bologna, Naples, Padua and Siena and their links to the book trade as represented in the holdings of the British Library.

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Techniques for the analysis of expressive gestures in musical performance

Posted by arts-humanities.net on March 29, 2015

Classical music is traditionally studied from notation; but music sounds, and how it sounds depends on performance style. The project developed techniques to show what constitutes a performance style. Expressive gestures in sound that characterise personal styles of playing and singing were identified and analysed in detail, using computer visualisation techniques for sound analysis. Their deployment and function in different musical contexts were examined.

Academic field
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DARIAH: Digital Research Infrastructure for the Arts and Humanities

Posted by arts-humanities.net on March 29, 2015

Supporting and enhancing digitially enabled research.

The Digital Research Infrastructure for the Arts and Humanities (DARIAH) aims to develop and maintain an infrastructure in support of ICT-based research practices across the arts and humanities, acting as a trusted intermediary between disciplines and domains. DARIAH is working with communities of practice to:

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Schenker Documents Online

Posted by arts-humanities.net on March 29, 2015

The twentieth century's leading theorist of tonal music, Heinrich Schenker produced a series of innovative studies and editions between 1903 and 1935 and left behind a voluminous archive of correspondence, diaries and lessonbooks. Edited in near-diplomatic transcription and with English translations, these materials form the core of the edition, supported by additional documents relating to his life, and a set of "profiles" of people, places and organizations with which he came into contact.

Academic field
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Online Chopin Variorum Edition (OCVE)

Posted by arts-humanities.net on March 29, 2015

OCVE began as an eighteen-month pilot study, from May 2003 to October 2004. Its aim was to explore the potential of technology to trascend the limitations of a traditional printed variorum edition. The research exploited emerging technical capacities for text/image comparison as well as recent musicological advances in cognate projects such as Chopin's First Editions Online and the Annotated catalogue of Chopin's First Editions (Cambridge University Press, 2007).

Academic field
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Archival Sound Recordings

Posted by arts-humanities.net on March 29, 2015

Archival Sound Recordings is the result of a development project to increase access to the British Library Sound Archive's extensive collections. The British Library holds one of the world’s foremost sound archives with a collection of over 3.5 million audio recordings. These come from all over the world and cover the entire range of recorded sound from music, drama and literature, to oral history, wildlife and environmental sounds. You can search and browse information about all the sounds held in the British Library at our online catalogue.

Academic field
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Collected Works of Thomas Middleton

Posted by arts-humanities.net on March 29, 2015

The Oxford Middleton, prepared by seventy-five scholars from a dozen countries, follows the precedent of The Oxford Shakespeare in being published in two volumes, an innovative but accessible Collected Works and a comprehensive scholarly Companion. Though closely connected, each volume can be used independently of the other.

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Pliny: A note manager

Posted by arts-humanities.net on March 29, 2015

The Pliny project aims to promote some thinking that looks broadly at the provision of tools to support scholarship. One of its products is a piece of free software, also called Pliny, which facilitates note-taking and annotation, allowing its user to integrate these initial notes into a representation of an evolving personal interpretation.

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