
Citation and Allusion in the Ars nova French Chanson and Motet: Memory, Tradition, and Innovation
This project undertakes the first detailed study of citation and allusion in the period c1340-1420 as expressed in the two genres at the cutting edge of musical style at the time, the motet and the chanson. Medieval composers had always demonstrated a readiness to exploit existing material in their creation of new works, nowhere more conspicuously than in the 13th-century motet.