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Chopin's First Editions Online

Posted by arts-humanities.net on March 29, 2015

The project has four key aims:

1. To create an online resource uniting the original impressions of Chopin's first editions in an unprecedented virtual collection

2. To develop complex textual interlinking of this virtual collection and relevant excerpts of the Annotated Catalogue of Chopin's First Editions (co-authored by Christophe Grabowski and John Rink, to be published by Cambridge University Press in 2005)

3. To provide comparative text-analytical commentary on the multiple first editions in this archive

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Hofmeister XIX

Posted by arts-humanities.net on March 29, 2015

Research on 19th-century music is hampered by insufficient bibliographical control of printed music. However, the Leipzig publisher Hofmeister published monthly or bi-monthly reports (Monatsberichte) on music publications that permit datings of large numbers of prints after 1829 when the series began: these constitute the single largest inventory of music prints produced in the 19th century. The Monatsberichte are limited by the form in which they were set out and by the fact that no single run of the series exists anywhere in the world.

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TV Times Digitisation Project

Posted by arts-humanities.net on March 29, 2015

TV Times is now the only record of many programmes shown on ITV, and particularly of those that no longer exist. TV Times exists in a relatively complete form in only two sources: the British Library and British Film Institute. The project was designed to commision the British Library to produce a microfiche version of their holdings (supplemented, it transpired, by editions from a private source located by teh research team); to digitise these; and then to extract the programme listing information into a searchable database.

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Repertoire International de Litterature Musicale (UK operations)

Posted by arts-humanities.net on March 29, 2015

Compilation of bibliographical information and abstracts of all scholarly writings on music published in all formats in the UK. These are sent electronically to RILM head quarters in New York to be added to the international database available by subscription to institutions and individuals. This phase of the project (RILM-UK 1999-2004) has brought the UK coverage of monographs up to date, thereby ensuring that a great part of the strengths and diversity of UK musicology is properly represented within, and made available to, the national and international community.

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The Digital Image Archive of Medieval Music (DIAMM)

Posted by arts-humanities.net on March 29, 2015

The purpose of the Digital Image Archive of Medieval Music (DIAMM) is to obtain and archive directly-captured digital images of European sources of medieval polyphonic music. Where there is damage that makes these sources difficult to read, levels of digital restoration are also undertaken on copies of the original images to improve legibility and scholarly access. The project has created a new permanent electronic archive of these images, both to facilitate detailed study of this music and its sources, and to assure their permanent preservation.

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The Baltic Ceramic Market c. 1200-1600: Hanseatic Trade and Cultural Exchange

Posted by arts-humanities.net on March 29, 2015

This study concerns an analysis of multivariate data collected during an archaeological survey of the Hanseatic ceramic market in the Baltic between c. 1200 and 1600. The archaeological distribution of imported ceramic wares forms not only a measure of commercial and technological exchange between western Europe and Scandinavia, Fennoscandia and the eastern Baltic region but also of the spread of Hanseatic domestic practices to communities living on the very edge of the European cultural orbit, particularly in the spheres of dining ritual, heating technology and interior decoration.

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The British Contribution to Series A/ii of Repertoire International des Sources Musicales (RISM)

Posted by arts-humanities.net on March 29, 2015

This catalogue enables you to search for music manuscripts from the 17th and 18th centuries preserved in national, public, and academic libraries in the U.K., in county and city archives, and in cathedral and chapel libraries. It also includes details of music manuscripts held in some Dublin libraries.

Its eventual aim is to provide a single access point for music manuscripts of the 17th and 18th centuries in the UK and Ireland.

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Richard II and the English Royal Treasure

Posted by arts-humanities.net on March 29, 2015

"The treasure roll of Richard II, compiled in 1398/9, offers a rare insight into the magnificence of a late medieval English king. The roll, unknown until it was rediscovered in the 1990s, describes in exceptional detail the crowns, jewels, and other precious objects belonging to the king and to his two queens, Anne of Bohemia and Isabelle of France. The value of the items listed on the roll is extraordinary even by modern standards, as is the craftsmanship and skill that went into their production.

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An electronic edition of the works of the Caroline dramatist, Richard Brome

Posted by arts-humanities.net on March 29, 2015

The intention is to create an online edition of the Collected Works of the Caroline dramatist, Richard Brome. This AHRC-funded project aims to combine dramatic textual scholarship with theatre practice. Intended users are scholars of drama and theatre studies, English Literature, History and cultural studies, as well as theatre practitioners.

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The Italian Academies 1530-1650: a themed collection database

Posted by arts-humanities.net on March 29, 2015

The project promotes and facilitates research on the Italian learned Academies of the late Renaissance and early modern periods and their relationship to book production, printing and publishing in this period. The precise aim is to compile a comprehensive database of information relating to the membership and activities of Academies in Bologna, Naples, Padua and Siena and their links to the book trade as represented in the holdings of the British Library.

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